The Duende flamenco club's dancers performed various flamenco styles - tangos, seguirias, tientos, alegrias, tanguillo, caracoles, guajiras, rumba, sevillanas. There were also guest dancers Sofija with a flamenco farruca and Anda with a contemporary dance improvisation. Alternating with Spanish rhythms, Argentine tango was also performed, and audiences could watch the sinuous tango dance steps in the performance of two couples - Kārlis and Dace, Aigars and Ginta.
At the Almost Theatre Artelis on Monday evening - 22 November at 19:00 - in collaboration with the flamenco dance club Duende, a flamenco evening was held. The venue must be said to be ideal for such an evening - I cannot imagine a better one in Riga. One could enjoy Marianna's nimble dance steps and Agustin's velvety voice timbre.
From 26 to 29 August, the annual summer camp organised by the flamenco dance studio DUENDE took place in Zvejniekciems, with an opportunity for all studio dancers to gather together and learn from guest teachers - flamenco instructors from Spain. I took the opportunity to attend two days of compas classes with percussionist Andrej Vujicic, as well as tangos and alegrias dance technique with flamenco dancer Francesca Grimm.
Yesterday in the hall of the independent Riga theatre "Skatuve", the annual end-of-year concert of the flamenco dance club Duende took place. Various flamenco styles were danced on stage - tangos, farrukas, sevillanas, alegrias, tanguillo, bulerias. The performances were made more splendid not only by the variety of brightly coloured costumes, good dance technique, and the dancers' emotional engagement, but also by various dance accessories - castanets, fans, hats.
Sevillanas is the first of the flamenco dance styles I have started to learn at the Spanish dance club Duende. Of course, one must start from the most basic movements - learning posture, arm movements, counting the rhythm, and then the steps. Classes take place in small groups, which is beneficial in that dance teacher Ilvija can give individual attention to each person, correct mistakes, and monitor the execution. The hour allocated to each class passes unnoticed. What follows is a little about sevillanas itself.
